TOK Tuesdays

Exploring PT 6 – A Wholly Necessary Discussion

This is the last in a series of TOK Tuesdays posts that briefly explore various nuances and concepts associated with each of the May 2020 TOK prescribed titles.  Everything discussed in these posts is fleshed out in considerably more detail in Ideas Roadshow’s six Titled Assistance videos, all of which are now available on Ideas Roadshow’s IBDP Portal. Subscribers may regard these posts as high-level summaries of those videos, illuminating large-scale structural motivations that can provide additional context to students both before and after watching the associated Titled Assistance video. 

Today we tackle PT 6 for May 2020.  Once again it’s worth emphasizing that these thoughts, together with those in the related Titled Assistance video, are strictly personal opinions and are designed to highlight key conceptual points associated with each title rather than provide any particular thesis or response to the title in question. 

PT 6 is unique in an intriguing way, as it is the only time that we find ourselves in a situation where we can safely come to an unequivocally clear conclusion on the claim as worded – indeed, in the associated Titled Assistance video I demonstrate that the title’s claim can be fairly easily refuted through a reductio ad absurdum argument. But since the title asks us to “discuss the claim” rather than merely express our level of agreement or disagreement with it, many thought-provoking conceptual vistas are consequently opened up.  

As many will have doubtless noticed, the most pivotal word in the title is “wholly”, which significantly alters its meaning. Saying a given notion depends on something is one thing, but saying it wholly depends on it is a different matter entirely. 

Exploring the difference between “depending” and “wholly depending” is, I believe, an integral aspect of the required discussion surrounding this claim, a discussion which, in turn, naturally directs us to the key notion of distinguishing between necessary and sufficient conditions.  

A small digression: unfortunately, there are still many people out there who look at TOK as some sort of quirky addendum to the DP curriculum, idiosyncratically tacked on to the scholastic rigours of the other bonafide academic subjects.  “Sure, it’s all very nice to take the time for some broad-ranging meta-discussions on how we know stuff,” goes the argument, “but at the end of the day, none of that is terribly relevant to our daily lives in the real world.”

So for all you sceptics out there, this one’s for you. Because I would unhesitatingly claim that, if you learn one thing in your entire high school years, nothing will be more useful to you for the rest of your lives, regardless of what you end up doing, than understanding the distinction between necessary and sufficient conditions.

Try understanding climate change, or a presidential impeachment process, or specific election claims, or an analysis of the effectiveness of social programs, or a comparison of different economic indicators, or a historical argument, or even a job offer, without a clear appreciation of the difference between necessary and sufficient conditions.  You simply can’t.  

Yet the truth is that a very great many people muddle the two with alarming regularity, with disturbing large-scale societal effects – indeed, if forced to describe what “critical thinking” means in a general way, one could do far worse than highlighting the ability to distinguish between necessary and sufficient conditions.        

Given its obvious importance, many would therefore conclude that one’s critical thinking ability wholly depends on being able to distinguish necessary conditions from sufficient ones.

They would be wrong, of course. But it’s vital to know why.      

The Titled Assistance – Supporting PT 6 video is now accessible on Ideas Roadshow’s IBDP Portal to all individual subscribers and subscribing schools.  It can be found in the general Theory of Knowledge section (under “TOK Compilations”), the Student TOK section and also in the Teacher Resources section.  It provides a detailed discussion of PT 6 with 4 specific examples from Ideas Roadshow’s IBDP resources to highlight the concepts under discussion.  It is slightly more than 30 minutes long.

For information about an affordable individual teacher or student subscription which provides full access to Ideas Roadshow’s IBDP Portal, including all Titled Assistance videos PT 1-6 please visit our website, for students: here, and for teachers: here.

 

TOK Tuesdays

Exploring PT 5 – Everything’s A-OK

This is the fifth of six TOK Tuesdays posts that briefly explore various nuances and concepts associated with each of the May 2020 TOK prescribed titles. In each post I will highlight a few specific themes that students may wish to consider related to each title, themes that are fleshed out in considerable detail, together with specific examples, in the corresponding Titled Assistance video available directly on Ideas Roadshow’s IBDP Portal. Subscribers might wish to regard these posts as high-level summaries of those videos, illuminating large-scale structural motivations that can further assist students both before and after watching the associated Ideas Roadshow Titled Assistance video. 

Today we tackle PT 5 for May 2020.  Once again it’s worth emphasizing that these thoughts, together with those in the related Titled Assistance video, are strictly personal opinions and are designed to highlight key conceptual points associated with each title rather than provide any particular thesis or response to the title in question. 

In the video, as always, I explore many aspects and nuances associated with this title, trying to flesh out the various subtleties related to issues such as, What does it mean for a theory to ‘have its limitations? and, What, precisely, does it mean to ‘understand the worldin this context?  These are, of course, very important features of the title that must coherently be addressed by any student in her essay, as are the provocative words “given” and “every”. But that’s not what I’m going to talk about in this post.  

Instead, I’m going to make a lateral move to another aspect of the title before slipping into a higher-level view of things.   

First, the other aspect.  After the claim in quotations comes the obligatory “to-do” message to the student: Discuss this claim with reference to two areas of knowledge. The student, and teacher, might be forgiven for simply glossing this last sentence over, unthinkingly chalking it up to standard TOK title format. After all, every title asks the student to do something, and while “discuss this claim” is clearly more general than “to what extent do you agree with this claim” or even “explore this distinction”, it seems very much of a piece with the general spirit of things.   

But that’s not the part I want to focus on here. For me, a genuine key to this title is the emphasis on “with reference to two areas of knowledge”. At first glance this, too, seems incredibly benign. After all, half of the titles specifically request the student to discuss matters with respect to two AOKs.  So why, on earth, should this stand out here?

The answer, I think, harkens back to the first TOK Tuesdays blog post I wrote at the beginning of October (Theory of Titles) when I stressed the value of trying to understand why the IBO TOK powers that be came up with these particular titles. What were they thinking? What did they have in mind? Why these titles and not similar options?  

My guess is that the titles that specifically ask students to invoke two areas of knowledge indicate those where, by and large, experts pursuing different AOKs will have strikingly different responses to the title in question.   That’s not to say, of course, that the other three titles don’t also present a divergence of views – of course they do – it’s just that, for the most part, that very divergence won’t be so strongly correlated with AOKs. 

And I would further claim that, of the three titles that specifically mandate comparisons across two AOKs, none reveals this correlation as strongly as PT 5. Which leads directly, I think, to an important “way in” to begin addressing the title.  

In other words, I would urge anyone thinking about PT 5 to step back for a moment before plunging into the details, and ask yourself to compare the reactions a typical physicist or biologist would have to the statement “Given that every theory has its limitations, we need to retain a multiplicity of theories to understand the world” with those of a typical historian or social scientist.   

My sense is that, while exceptions definitely abound, most physicists and biologists would strongly disagree with the statement. Some theories, they would admit, have their limitations, but that is more a statement of our current level of ignorance than anything else, and the hope and expectation is that, over time, those limitations will disappear as we better refine our theoretical framework. It is certainly not the case, they would say, that every theory has its limitations.  Most natural scientists would begrudgingly admit that “a multiplicity of theories” is logically necessary during our current period of uncertainty until we sort things out appropriately, but it is hardly desirable, let alone necessary – simply a consequence of not having everything figured out yet

On the other hand, your average historian would likely strongly concur with the claim that every historical theory has its limitations, recognizing two important points:

  • No matter how carefully we sift through the available evidence, there is still the overwhelming likelihood that we don’t have access to all the information necessary to make the best possible judgement.
  • Even those theories that we do develop based upon our available evidence are naturally subjected to our own biases and assumptions that resonate with our own sociocultural values and that historians of both the past and future will naturally come to strikingly different conclusions based upon different interpretations of the same evidence.   

Meanwhile, social scientists tend to come down on various different sides of this question, depending on a combination of their personal attitudes and what sort of research they conduct.  

One of the advantages of having a database filled with hundreds of specific insights of leading experts across different fields is that it’s pretty easy to move beyond one’s gut feelings and check to see if one’s expectations measure up with reality.  Which is why, in our recently released Titled Assistance – Supporting PT 5 video we chose examples from six different experts across the natural sciences, history and human sciences in a deliberate effort to further explore this AOK-related distinction.

Those unfortunate few who have yet to subscribe to Ideas Roadshow’s IBDP Portal will sadly not have the luxury of such concrete examples from expert researchers to support their arguments, but I would nonetheless urge them to trawl through books and YouTube videos to see if they could verify this AOK-related correlation for themselves.  

Because once you spot the roles that different AOKs play in this title, it’s almost like the essay writes itself. 

The Titled Assistance – Supporting PT 5 video is now available on Ideas Roadshow’s IBDP Portal to all individual subscribers and subscribing schools.  It can be found in the general Theory of Knowledge section (under “TOK Compilations”), Student TOK section and TOK Teachers section.  It provides a detailed discussion of PT 5 with 6 specific examples from Ideas Roadshow’s IBDP video and print resources to highlight the concepts under discussion.

If your school does not have an institutional subscription to Ideas Roadshow’s IBDP Portal yet you can now sign up for an individual subscription. Annual individual teacher or student subscriptions cost only $75 and provide unlimited access to all resources. School-wide subscriptions are affordably priced based on the number of DP students in your school.



TOK Tuesdays

Exploring PT 4 – Plunging In

This is the fourth of six TOK Tuesdays posts that briefly explore various nuances and concepts associated with each of the May 2020 TOK prescribed titles.  In each post I will highlight a few specific themes that students may wish to consider related to each title, themes that are fleshed out in considerable detail, together with specific examples, in the corresponding Titled Assistance video available directly on Ideas Roadshow’s IBDP Portal.  Subscribers might wish to regard these posts as high-level summaries of those videos, illuminating large-scale structural motivations that can further assist students both before and after watching the associated Ideas Roadshow Titled Assistance video. 

Today we tackle prescribed title 4.  Once again it’s worth emphasizing that these thoughts, together with those in the related Titled Assistance video, are strictly personal opinions and are designed to highlight key conceptual points associated with each title rather than provide any particular thesis or response to the title in question. 

Generally speaking, I’m a big fan of analysis: when faced with a complex problem I like to take things apart and reduce them to their simplest building blocks. This might be my physics training, or (to invoke a typical TOK-type of inversion), it might well be that my particular orientation and outlook made me more susceptible to those sorts of activities, like physics, which explicitly invoke the sorts of investigatory approaches that I felt most comfortable with. 

Well, whatever. The point worth stressing here, I think, is that the analytical approach, like all others, has its natural limits: there are many times when it succeeds, but many others when it does not, or at least doesn’t fit the problem at hand as well as other avenues.

Which brings me, in a roundabout sort of way, to PT 4, which is all about the issue of giving one’s take on the role of analogy. What does it do? What are its limits?  What does it not do?  What does it depend on?  

A strictly analytic approach would involve a detailed examination of the relevant words in the title, such as “understanding”, “justification”, “role” and so forth in an attempt to develop appropriate definitions and frameworks that one could then “apply” somehow to the notion of an analogy, and see what happens.  

There are several major hurdles to this approach however, certainly including the slipperiness of defining the key terms in question and their variability due to context.  But by far the biggest problem in my view is that, to weigh in on the role of analogy, you really have to wade into considering actual analogies themselves. In other words, this is not a title that particularly lends itself to a detailed abstract analysis of key terms, but rather one that clearly requires plunging in to the world of analogies and carefully assessing what they are doing, and not doing, in various circumstances.

To use an analogy here (who could resist?): investigating the role of analogies without explicitly invoking specific analogies is like learning how to swim from a textbook.

 Which makes it all the more ironic that the detailed PT 4 Titled Assistance Video I’ve just completed does actually present things in a rather analytical fashion: outlying a framework, highlighting key terms and issues and so forth. Why on earth would I do such a thing? Well, because as any teacher knows, there’s often a real difference between getting a handle on something and deciding how to most coherently and concisely describe it to others. The way I went about exploring the issue for myself, unsurprisingly, was by considering lots and lots of different specific analogies and trying to sort out what each of them were doing. Once you’ve done that enough times, you start getting a hang of how to group things in a reasonably coherent way: these sorts of things do that, those sorts of things do this, and so forth. 

But going through such an exercise in a video would likely make for a pretty boring and incoherent experience, bombarding people with example after example and then waiting for a pattern to somehow emerge. Of course, one could always simulate such an approach (deliberately choosing a string of examples that highlight different aspects and characteristics), but I think that runs a serious risk of making things look a bit too ad hoc.   

So when you watch our PT 4 video you will notice two things:

  • There are more than three times as many examples in this Titled Assistance video than any of the others.
  • It is, correspondingly, significantly longer than any of the others, coming in at just over 40 minutes.  

While this title has its challenges like any other, that’s not because it’s so obviously the most complicated.  It’s because if you want to learn to swim, at some point you simply have to get wet.  

The Titled Assistance – Supporting PT 4 video is now available on Ideas Roadshow’s IBDP Portal to all individual subscribers and subscribing schools.  It can be found in the Student TOK section, TOK Teachers section and general Theory of Knowledge section (under “TOK Compilations”).  It provides a detailed discussion of PT 4 with 15 specific examples from Ideas Roadshow’s IBDP resources to highlight the concepts under discussion.

For information about an affordable individual teacher or student subscription which provides full access to Ideas Roadshow’s IBDP Portal, including all Titled Assistance videos PT 1-6 please visit our website, for students: here, and for teachers: here.

  

TOK Tuesdays

Exploring PT 3 – Leading With Our Gut

This is the third of six TOK Tuesdays posts that briefly explore various nuances and concepts associated with each of the May 2020 TOK prescribed titles.  In every post I will highlight a few specific themes that students may wish to consider related to each title, themes that are fleshed out in considerable detail, together with specific examples, in the corresponding Titled Assistance video available directly on our Portal. Subscribers might wish to regard these posts as high-level summaries of those videos, illuminating large-scale structural motivations that can further assist students both before and after watching the associated Ideas Roadshow Titled Assistance video. 

Today we tackle prescribed title 3.  Once again it’s worth emphasizing that these thoughts, together with those in the related Titled Assistance video, are strictly personal opinions and are designed to highlight key conceptual points associated with each title rather than provide any particular thesis or response to the title in question. 

In my view, PT 3 is distinct from all the others on a number of different fronts.

The first thing that you’re likely to notice is simply the way that this title is formulated.  While every other prescribed title asks the student to explore, discuss and investigate certain claims and statements, this one abruptly poses the question, Does it matter…?

What are we to make of this?  Well, it’s not so easy, I think.   

After a first, second, and even third reading I was preparing myself to launch into a standard type of detailed exploration of the wording in order to highlight the relevant nuances involved.  While it seemed reasonably straightforward that “your knowledge” referred to the notion of personal knowledge, rather than shared knowledge, there was a whole range of associated subtleties to explore: how might we define, precisely, “personal circumstances”? To what extent can “influence” be objectively assessed, not to mention the “seriousness”of how one takes knowledge?  Not to mention the concepts lying behind the words: “taking knowledge seriously”, after all, implies a specific “taker” who goes unmentioned in the title. Presumably the situation changes considerably depending on who is doing the “influencing” and who is “being influenced”. So there is all of that.  

My initial plan was to build up things brick by brick until I was ready to finally address the whole business of mattering, but, frustratingly, it seemed like I was never going to get there, as the more I started thinking about how I was going to address these points, the further away I seemed to be getting from the actual question being asked.   

After all, the title wasn’t asking me to describe to what extent personal circumstances influence the development of my personal knowledge, and it wasn’t even asking me to investigate under what circumstances personal circumstances can influence how seriously others take my personal knowledge (which personal circumstances? which “others”? “influence whom?”).  Instead it was assuming that personal circumstances influence how seriously knowledge is taken and then asking me: does it matter?

So, suddenly, my standard analytic approach of breaking things down carefully and then building them up again seemed deeply problematic.   It was time to try something different.

I decided to switch gears and focus on the whole question of mattering.  What does it mean, I asked myself, to matter?  Clearly this was a subjective appraisal: I might think that something matters, while someone else might think it doesn’t. But that, in itself, didn’t really help. After all, I was unlikely to find any objective truth in a core aspect of any TOK title – that is, after all, the whole point of the exercise. 

Then I began thinking of how I could be sure that I felt something mattered.   This is quite different, it should be stressed, than the subjective/objective distinction referred to a moment ago: I’m not talking about how I can be sure that something does matter (which is pretty well impossible given its inherently subjective nature) but rather how I can be sure that I think that something matters.  Are there some surefire signs, in other words, that I can point to that indicate that I think that something matters.  

And the more I thought about it, the more I began to conclude that indeed there were such signs: when I think that something matters I feel it instinctively in my gut. It is deeply tied, in other words, to a combination of emotions, intuition, and my personal moral judgement.   

Suddenly, I instinctively felt that I was on a more productive path to addressing what was being asked.  

The Titled Assistance – Supporting PT 3 video is now available on Ideas Roadshow’s IBDP Portal to all individual subscribers and subscribing schools.  It can be found in the Student TOK section, TOK Teachers section and general Theory of Knowledge section (under “TOK Compilations”).  It provides a detailed discussion of PT 3 with four specific examples from our resources to highlight the concepts under discussion, with the accompanying PDF recommending a further 4 Ideas Roadshow resources.  It is slightly less than 30 minutes long.

For information about an affordable individual teacher or student subscription which provides full access to Ideas Roadshow’s IBDP Portal, including all Titled Assistance videos PT 1-6 please visit our website, for students, here and for teachers, here.

 


TOK Tuesdays

Exploring PT 2 – Sharpening Our Definition

This is the second of six TOK Tuesdays posts that briefly explore various nuances and concepts associated with each of the May 2020 TOK prescribed titles.  In each post I will highlight a few specific themes that students may wish to consider related to each title, themes that are fleshed out in considerable detail, together with specific examples, in the corresponding Titled Assistance video available directly on Ideas Roadshow’s IBDP Portal.  Subscribers might wish to regard these posts as high-level summaries of those videos, illuminating large-scale structural motivations that can further assist students both before and after watching the associated Ideas Roadshow Titled Assistance video. 

Today we tackle PT 2 for May 2020.  Once again it’s worth emphasizing that these thoughts, together with those in the related Titled Assistance video, are strictly personal opinions and are designed to highlight key conceptual points associated with each title rather than provide any particular thesis or response to the title in question. 

While all TOK prescribed titles naturally contain a substantial amount of nuance for students to interpret through their understanding of TOK concepts, it is not always immediately obvious where, precisely, to begin. With PT 2, however, this is not so much the issue. The good news here is that the conceptual crux of the title is fairly easy to identify, with the notion of “a sharp line” standing out, as it were, quite strikingly. 

While some might first opt to delve into the details of what exactly is meant by “descriptions” and “explanations”, since at the end of the day we are asked to give our judgement on whether or not “a sharp line” exists between them, it seems quite reasonable, for me at least, to focus our attention on what that means in this context before turning our attention to the particulars. 

Well, it’s always good to have a sense of how to begin. But how can we go about, practically, the business of constructing such a definition?

Just as I discussed in last week’s PT 1 post, Establishing the Terrain, my approach here will be to start with some general statement that I can then probe and refine further as I increasingly delve into the associated subtleties. Recall that in Establishing the Terrain, we started with a rough-and-ready correspondence between each of the two approaches and particular AOKs, then moved on to consider specific exceptions to this rule before, eventually, investigating a range of specific assumptions buried within the prescription itself.  

Why do I opt to do things this way?  Well, part of it is surely a matter of taste. But the principal advantage, I believe, to the technique of starting off with a simplified picture that you know only tells a small part – if any – of the full story, is that you can actually start somewhere concrete.  Otherwise there’s a real risk that our investigatory efforts quickly get bogged down in shifting layers of “on the one hand” and “on the other hand” types of commentary and we feel that we have no sense of solid ground on which to build a coherent argument. 

When it comes to PT 2 I’m naturally provided with such a starting point because it so happens that many practicing experts in both the human sciences and the natural sciences do actually subscribe to a general, big-picture version of the claim in the title, or at least go about their day jobs as if they do, which is more or less the same thing. So that seems a natural place to begin in our quest to develop an appropriate definition for “a sharp line”.

Opinions naturally vary considerably on whether this is a good or bad thing, but the astute reader will note that such a value judgement takes us much further away from the title than we should probably go. The only thing we are asked to express is our level of agreement with the claim at hand.  Which, in turn, is a matter of definition.  

As you doubtless expect, a closer look reveals that things are hardly that simple, and this “sharp line” is significantly fuzzier than one might naively suppose: not only is it often the case that there is a clear relationship between the two things (so that the types of explanations developed often depend strongly on the descriptions), but it is not infrequently the case that both descriptions and explanations are constructed simultaneously.   

The Titled Assistance – Supporting PT 2 video is now available on Ideas Roadshow’s IBDP Portal to all individual subscribers and subscribing schools.  It can be found in the Student TOK section, TOK Teachers section and general Theory of Knowledge section (under “TOK Compilations”).  It provides a detailed discussion of PT 2 with four specific examples from our resources to highlight the concepts under discussion, with the accompanying PDF recommending a further 4 resources.  It is slightly less than 30 minutes long.

Your school has not subscribed yet? Visit our website – HERE – to learn more about Ideas Roadshow’s IBDP Portal which offers an extensive database of authoritative video and print resources explicitly created to meet the needs of both teachers and students throughout the Diploma Programme.


TOK Tuesdays

Exploring PT 1 – Establishing the Terrain

Today marks the first of 6 TOK Tuesdays posts that briefly explores various nuances and concepts associated with each of the May 2020 TOK prescribed titles. In each of these posts, I will offer some specific suggestions on how students might productively begin to attack each title.  

A separate, detailed “TOK Titled Assistance” video for each of the 6 prescribed titles is available on Ideas Roadshow’s IBDP Portal where many more concepts are explored, complete with specific examples drawn from our extensive collection of TOK resources that are part of our database.

Establishing the Terrain

Before I begin, it’s worth once again stressing that all of what follows is strictly my opinion and in no way reflects the official position of the IBO or anyone else. Hopefully you’ll find it helpful even if you disagree with its contents, as a way of suitably stimulating discussion. So let’s begin.

This title asks us to explore the distinction between two approaches to the knowledge generation process: “seeing what is and asking why” and “seeing what could be and asking why not”.

 There are, of course, many ways to move forwards here, but for me the most obvious way to proceed is a 3-stage approach, starting with some rough generalizations before moving towards increasing levels of nuance and subtlety. It is this initial sketching out of the general landscape that I am referring to when I talk about “establishing the terrain” as a helpful approach to get started with one’s analysis. 

I. Establishing the Terrain

Is there anything to the claim that a meaningful distinction between the two approaches exists at some very basic level? Can I say something like, “Very roughly, it seems that most of the time those associated with these AOKs adopt position 1 while those involved with those AOKs adopt position 2”?  In other words, I’m not going to dive right in and examine the nuances immediately, but rather try to establish some very general, coarse-grained lay of the land.

Is it even possible to do so?  Personally, I think that it is possible, and that by doing so we can help to create a reasonable structure going forwards that will not only help us probe the corresponding subtleties (i.e. when our general landscape is not the case) but also guide us in choosing a correspondingly appropriate pair of AOKs to examine. Others, of course, might well disagree with the particulars of a general assessment, but I would recommend that you start with some basic judgement that you think holds in at least a good many cases, otherwise it is difficult to know how to get started. 

II. Investigate exceptions 

The principal advantage to establishing a general landscape is that it gives us a ready framework to explore exceptions. Notwithstanding the fact that, generally speaking, approach 1 is often associated with these particular AOKs and approach 2 is often associated with those particular ones, are there times when the opposite is the case? Are there times when neither case holds? Are there some AOKs that strongly resist even the most basic categorization procedure when it comes to these two approaches? Do different patterns start to emerge if you look at some subcategories of particular AOKs? 

Any successful TOK essay will cogently explore the different shades of nuance associated with a title, and this is our first chance to do so in earnest. Indeed, the reason why we started off framing things in a general, non-nuanced way was precisely to give ourselves an easy mechanism to explore the interesting and revealing cases of when things didn’t fit our rough-and-ready categorization procedure. 

III. Question the initial assumptions 

Once we’ve established, as is not terribly difficult to do, that such exceptions exist, it’s time to go even deeper and probe our initial assumptions to see what additional insights we can develop.  

What were those assumptions?  

Well, first off we assumed that each of the two approaches was completely well-defined and coherent. A simple glance reveals that this is clearly not always the case. There are plenty of times, for example, when “seeing what is” is not so straightforward, as many astute TOK students will surely appreciate. Sometimes our senses fail. Sometimes our judgement fails. Sometimes there is no independently objective “what is” to “perceive” in the first place. So it can be complicated.

And then there’s the assumption that these two approaches are completely distinct from each other, and that I’m aware at all times whether or not I’m pursuing approach 1 or approach 2.  But it’s far from clear that that’s the case either. Many avenues of knowledge investigation simultaneously involve some of one and some of the other.  

Lastly, there’s the possibility that there might even be a relationship between the two approaches. In other words, not only might I find myself doing a bit of both from time to time, but that the very way I do option 1 might somehow impact the way I do option 2, or vice-versa. In this case that would amount to recognizing that the extent to which I “have seen what is” could impact my perception of “what could be”, say, or that the particular way I am going about “asking why” could conceivably be related to how I might specifically go about asking “why not?”.   

This, too, seems not only possible, but positively likely in certain circumstances at least.   Of course the challenge is to examine those circumstances in some detail and try to draw some specific conclusions that are more focused and illuminating then “It’s all very complicated”. 

But without having a suitable structure to start from, it’s often very difficult to even begin. 

Your school has not subscribed yet? Visit our website – HERE – to learn more about Ideas Roadshow’s IBDP Portal which offers an extensive database of authoritative video and print resources explicitly created to meet the needs of both teachers and students throughout the Diploma Programme.

For information about an affordable individual teacher or student subscription which provides full access to Ideas Roadshow’s IBDP Portal, including all Titled Assistance videos PT 1-6 please visit our website, for students: here, and for teachers: here.


TOK Tuesdays

Searching for Nuance

While different people believe in widely varying approaches to preparing students for their TOK essay, one point all experts share is that it is a very bad idea for students to attempt to rewrite the title in their own words in an effort to increase their comprehension of what is being asked.

Why? 

To answer that, it’s worth returning to the core theme of the first post in this series called Theory of Titles where I encouraged both teachers and students to use their imagination to consider what those who made the titles might have had in mind.   

Without trying to get too cute or self-referential about language as a way of knowing, the point to stress here is simply that words matter.   Those who created the titles didn’t just choose their words randomly or haphazardly, but rather as part of an explicit attempt to open the door to a wide range of subtlety and nuance deliberately crafted for the student to rigorously explore in her essay.   All of which implies that if students “reword” the titles, they will inevitably find themselves missing many of those vital nuances that a good essay needs to highlight and examine.

Sometimes people talk about “unpacking” the titles. Perhaps I’m being a stickler here, but it’s not the sort of metaphor that I like, because the very notion of “unpacking” implies to me that there’s one clear and obvious way to do things to get at the underlying essence of things. After all, when I unpack my suitcase after settling into a hotel, I certainly don’t expect to find anything more than what I put in there a few hours earlier, and I’m naturally confident that several minutes of careful effort will result in my re-establishing the same sort of order that I had at home before I left. 

But TOK isn’t like that at all.  Indeed, the whole point of the TOK essay is to demonstrate a capacity to meaningfully explore subtle and complicated issues from a variety of different perspectives.   That hardly means that one can’t have strong, well-constructed opinions or that all positions are equally appropriate or relevant: if that were the case, there would be no point in the TOK essay at all, as all grades would necessarily be the same.   

No, what it means is that a strong essay is one that successfully tackles the title in a way that focuses on the nuances of the related TOK concepts for which the specific wording of the title provides distinct clues. 

So what are those clues?  Where’s the nuance?  

Well, once again, the point of the exercise is for each student to carefully examine things so as to come up with his own conclusion.   But as usual, I’ll give you my personal take on things as a clear way to get the ball rolling and demonstrate more concretely what I’m talking about.

A general comment to make before I begin is that I tend to have a particularly strong reaction to blanket statements made in a supremely confident manner.   Whenever I’m presented with some smug fellow who stands up and unhesitatingly declares, “Obviously it follows that…” or “The only conclusion that can conceivably be reached is…” I feel a distinct urge welling up inside of me to smack him in the face, or at the very least find a compelling counterexample.  

If not properly harnessed, such sentiments can certainly get one into trouble.   But when it comes to TOK, these feelings are actually very helpful, serving as a personal warning system against invariably dubious claims – emotion as a way of knowing, if you will. 

Many TOK titles provoke precisely this sort of visceral response in me.  But of course, as I mentioned earlier, they were doubtless explicitly designed to do so, because a classic way of showcasing the need for nuance is to present people with concrete, jarring examples of where it is so obviously withheld.

Four of the May 2020 prescribed titles make me feel immediately uncomfortable in precisely this way: 2, 4, 5 and 6.  Let me take each in turn, highlighting the specific wording that makes me feel queasy.

For the second title, my focus is immediately drawn to the notion of “a sharp line”.  How can we be certain that there is, in fact, a difference between a description and an explanation? To what extent are some “explanations” little more than mere descriptions?  And if there is a difference between the two, what is it exactly?  

In the fourth title, the word primarily responsible for my anxiety is simply “is”.   To what extent can we be certain of the role of anything? How do we know that the divide between justifying and understanding is as clear and distinct as is implied?  And what does it mean to “aid understanding” anyway? Is that the sort of thing that can be precisely measured?  

The two words that trigger my discomfort in the fifth title are “every” and “need”.  How can I be certain that every theory is “limited”, and what do I really mean by that anyway?  And then there’s “need”, a word which inserted here seems little less than the acme of hubris.   To what extent is it always necessary to have more than one theory in play?  I can certainly think of lots of examples where this is not the operating philosophy, so clearly there are many people out there who believe something quite different. 

The last title in this gut-wrenching series is the sixth one.  Here the obvious culprit is “wholly”, with honorable mention going to the twin notions of “present knowledge” and “past knowledge”, confidently asserted matter-of-factly as if I, and everyone else, would unhesitatingly be able to distinguish between them at any given moment.   Which, as it happens, we can’t. 

Then there are the two other titles that are a little less obviously disturbing, and therefore might require a bit more linguistic reflection to pinpoint the corresponding nuance. 

In the first title, I’d focus on exploring the difference between “what is” and “what could be”.   To what extent can we be certain that such a difference objectively exists? Under what circumstances is it even possible to have seen “what is”, and what are the constraints on “what could be”?  

Meanwhile, for the third title, the words that particularly spring out to me are “matter”, “influence” and “seriously”.   Why should we even care about “how seriously” others take our knowledge? Is a theory any less true or valid in the days when it is considered “fringe” than after it has become generally accepted?  What do we mean, here, exactly by “influence”? What are the factors at work that are responsible for changes in community attitudes and beliefs.  

Such are my thoughts.   As usual, opinions will vary as to whether my personal hunt for nuance has been successful.   

But all that really matters is that everyone embarks on her own.

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TOK Tuesdays

Try a Little Selfishness

In last week’s post, I urged students to use their imagination to ask themselves what the title-makers might have had in mind when they came up with this year’s version.  The idea was that by engaging in this thought experiment students could assess the titles in terms of how they believed they corresponded to those specific TOK concepts that interested them.

This notion of focusing on student interest is a core feature of Ideas Roadshow’s educational philosophy.   We strongly believe that students will succeed much more frequently, and to a much greater extent, if they have the opportunity to engage with ideas that already interest them, and that an essential aspect of the job of any educator, and any educational resource, is to present them with as many relevant opportunities as possible to pique their interest and launch them on their educational journey.

Of course at some level this is all pretty obvious.  After all, nobody would recommend that someone consider doing an extended essay or internal assessment on something they were profoundly indifferent to (or, worse still, actually repulsed by), but there are nonetheless times when we often fail to take a moment to explicitly consider what students actually get excited about.  Like the TOK essay. 

This post is about doing precisely that. 

We all know that TOK is a many-faceted, naturally interdisciplinary beast that surfaces in all sorts of intriguing and complex ways throughout the real world.  This often makes the associated concepts difficult to understand, and the entire subject virtually impossible to comprehensively define.

But this inherent depth and universal relevance has a very positive flip side: no matter what your specific area of interest is, there’s going to be an intriguing TOK angle to it if you take the time to investigate it closely.   Contrast this with many standard DP subjects. In most courses, at least some of the time will likely be spent wading through material that students aren’t terribly excited about. In some cases only a specific part of the syllabus will be particularly appealing, while sometimes the entire course is simply a necessary requirement that has to be navigated en route to a particular career choice. Often students simply have to grin and bear it, doing their best to plow through a body of material that doesn’t particularly captivate them, at least at the outset. We’ve all been there.

But happily, this simply doesn’t apply to the TOK essay.   Since TOK applies to virtually everything, one can simply turn things around and say that virtually everything has a TOK component to it.   Which means that as students go through the process of deciding which TOK prescribed title is best for them, an important aspect of that decision procedure should be – ironically enough – to forget about the titles entirely for a moment and instead just focus on TOK concepts aligned with their interests.

Then they can look at the titles afresh and see which of those give the greatest opportunity to tackle those TOK concepts.  The benefits of this technique include, but extend well beyond, the selection of a prescribed title. If writing an essay provides you with concrete opportunities to deepen your understanding about something you’re already passionate about, chances are that you’ll soon find yourself moving away from thinking, “I’ve got this essay to write” towards, “This is a really cool idea”.   And your essay will most certainly reflect that.  

Again, the good news is that, given its universal relevance and applicability, TOK provides that opportunity for just about any topic. 

So let’s take an example now to demonstrate what I mean.  Once more it should be stressed that these are only my thoughts, and hardly represent objectively true statements, but if I were to end things here without giving you something concrete to grab on to and agree or disagree with, then all of this would rapidly degenerate into little more than a stream of clichés.   

Suppose I’m passionately interested in the arts – one or more of visual arts, music, theatre, film and dance. Perhaps I have ambitions of being a film director or a professional musician.

 So what are some TOK-related concepts that would naturally appeal to me?  Well, probably something like the nature of intuition and imagination in the creative process and its relationship to the development of artistic knowledge; objective vs subjective judgements of artistic quality and how we can be certain in distinguishing between good and bad art; the mechanisms involved in the public reception of new artistic developments and their relationship to prevailing cultural biases; how societal judgements of artistic achievement change over time; what it means to come up with genuinely new ideas in the arts and to what extent that can ever be objectively assessed, and so forth. 

In other words, these are just a few of the sorts of things I’d naturally spend time sitting around discussing with my friends altogether aside from the fact that I have a TOK essay to write.   

Now look to the prescribed titles for May 2020.  Which ones seem to be the best fit with those particular interests?  Again, I can only offer my opinion, and even those are largely dependent upon the specific TOK themes I happened to have mentioned.   But my sense is that titles 1, 3 and 6 would probably provide the best opportunity for me to discuss the sorts of things that I’m naturally interested in.  

And now I’m away to the races, because not only do I have a clearer sense of what title I’m going to pick, I also have some concrete thoughts about  which TOK themes I’d like to explore in my essay. Better still, I’m starting to get surprisingly interested at the prospect of doing so because the whole thing is a subject that I naturally find fascinating and worth exploring.   

Of course, there’s a lot more to it than that.  

Aside from the fact that writing essays involves a good deal more time and deliberate effort than just chatting with my friends, construction of this particular essay will necessarily force me to make links to things well outside my core interests, in this case invoking other TOK concepts and areas of knowledge that I might not normally care much about.  

But now there’s a difference: I’m not just doing so because “I have an essay to write”, or because “I need to find another AOK”, but instead out of a desire to better investigate my own particular interests and passions. 

Sometimes just focusing on yourself is the best way towards developing a broader understanding.

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TOK Tuesdays

Theory of Titles

Introduction

Welcome to the first of our “TOK Tuesdays” posts, where each week we’ll be focusing on highlighting how Ideas Roadshow’s IBDP Portal’s comprehensive TOK resources can be explicitly harnessed to help TOK teachers and students.  

The idea of TOK Tuesdays has come directly from our TOK-oriented subscribers who have specifically requested that we offer concrete suggestions on TOK-related issues that are most relevant to them and that can be used directly in their classrooms. 

We’ve designed an exciting schedule of weekly posts for the coming months that we’re very keen to share with you.   For the rest of 2019 we’ll be gearing our TOK Tuesday posts to the May 2020 Prescribed Titles neatly divided into three separate sections:

Introductory:  In the first three posts we’ll offer some high-level overviews of the titles from various different perspectives. 

Analysis:  Then, for the next 6 posts we’ll go title by title to give our detailed take on possible approaches to each title, citing a spectrum of specific Ideas Roadshow’s TOK resources that we recommend as particularly well-suited to exploring different aspects together with brief explanations as to why we think so.

Conclusion: The last three posts will be devoted to some concluding thoughts, together with various recommendations for the construction of a strong essay. 

Those who haven’t yet subscribed to Ideas Roadshow’s IBDP Portal are recommended to register for one of our free webinars on demand (here).  All attendees receive a complimentary one-week pass to the full video and print content on our IBDP Portal.  

So let’s get started.  Today’s post, the first of our three introductory ones, is entitled:

Theory of Titles

The first point to make is that what you’re about to read are not official statements by the IBO or anyone who represents the IBO in any way.  I am not a TOK examiner and have never been one. Moreover, I have never taught TOK (or any other IB course for that matter).   

This might first seem to be disadvantageous, but a little reflection reveals a spectrum of distinct upsides to being something of an outsider: important fresh perspectives often come from beyond any established school of thought, while having a broad research background is particularly helpful to highlight TOK thinking in the real world, as the hundreds of video and print TOK resources on Ideas Roadshow’s IBDP Portal can well attest to.  

But the most significant feature here is simply the most obvious one: as someone who’s completely objective, I can simply say what I think, without prejudice or any fear of the slightest conflict of interest.   After all, if I were a representative of the IBO or a TOK examiner, it would clearly be impossible for me to share my views on this May’s TOK Prescribed Titles. 

Which brings me to the natural starting point of this post. 

The first thought I have when I look at the prescribed titles for the first time is, Why these titles?  This is a pretty obvious question when you start thinking about it, but my guess is that many teachers and students, feeling the pressure to adhere to an intense essay production schedule with the designated construction of outlines, key concepts and structural comparisons, might overlook it.   But I don’t think that they should. 

Given the TOK context of this discussion, let me put this thought slightly differently: let’s use imagination as a way of knowing.  

Imagine, for a moment, that you are a member of the group of people who make TOK titles.  Twice a year, you and your colleagues get together and come up with a list of titles for students to respond to in essay form to demonstrate their level of understanding of TOK.  

So why offer six each time?  Why not just one?  

A common reply might be, “To give the students a choice”.  Which is true, of course. But not really an answer. After all, why worry about giving students a choice in the first place?   If you want to know if people can solve quadratic equations, say, you typically don’t give them a choice.  

A better answer, I think, is that theory of knowledge is a very complex, multi-level course, with many distinct, equally essential, overlapping parts to it. Developing a genuine understanding of what theory of knowledge is and why it’s important involves appreciating the nature of evidence, appeals to authority, the limits of sense perception, our capability of reason, the nature of mathematics, the applicability of theoretical models to the real world, the impact of our biases and assumptions on our current beliefs, and many more things besides.   

It’s very, very messy – precisely because it impacts so many different areas.  

Which means that to do any sort of justice to an examination process, you shouldn’t really ask students respond to just one possible title.   Which, in turn, means that each of the different titles will likely highlight, and consequently be best suited to, particular features of TOK.  

Which is all to say that if I were a DP2 student right now needing to write a TOK essay for this coming spring, the first thing I would do is step back and ask myself which aspects of TOK are most naturally associated with each question.  Or, to put it another way, why did the guys who came up with these titles choose those particular titles? 

Of course, the conclusions I might draw might turn out to have nothing to do with what went through the heads of the actual title-setters.  But, interestingly enough, that actually doesn’t matter in the slightest: I don’t get any bonus points for my essay by guessing people’s motivations anyway.  

But the act of imagining what went through the minds of the title-makers will likely help to give me a clearer sense of which ones best fit my interests and inclinations while offering me a valuable conceptual guide to the construction of my essay once I have made my title choice. 

To give you a concrete sense of the sort of thing I’m talking about, let me share with you some of my thoughts (as I threatened I would earlier):  

I think that those who are keen to demonstrate how our beliefs are influenced by our culture and the people around us might naturally wish to gravitate towards titles 1 and 3; those that are drawn to the question of how we can distinguish between the validity of different theories might want to particularly consider titles 2 and 5, while those who are keen to examine aspects of the knowledge process per se and to what extent we can actually know anything with certainty might find titles 4 and 6 more up their street.    

As it happens, it wouldn’t surprise me in the least if those actually involved in the creation of these titles would disagree partly, or even entirely, with these views.  But again, that doesn’t matter one bit: it’s my essay not theirs after all. I’m just looking to find the title that resonates the strongest with my particular TOK interests, while doing my best to ensure that, once I start writing my essay, I stay as much on topic as possible. 

It’s safe to say, too, that my personal conclusions likely won’t do much for anyone else.  Once again, in true TOK fashion, there’s no one, correct, objectively valid, “right answer”.   It’s the engagement in that knowledge process that’s key. But what a key it is.  

Use your imagination.

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